Another episode wherein Big takes all the power and leaves Carrie feeling like a dung beetle.
It
begins with Narrator Carrie pontificating about New York in the
Spring. She talks about how easy it is to love New York and how
difficult it is to actually say it to Big.
She has a level playing field with New York-- it says that it loves Carrie as much as she says she loves it. But not Big.
In
the first scene with Big, Carrie is eating toast and they look very
ordinary and she realizes that she loves Big, but doesn't say it. He
calls her hon, and it is kind of cute in an ordinary 'aren't we monogamous adults' way.
The first time she feels like actually
saying the words (and going out on a ledge with her feelings-- yet
again--) is on the street after they attend a ballet. And he hates the
ballet. you know, I don't think I could trust a man who didn't adore
the ballet. Ballet is incredible. He insists that the people were on
wires-- which should make you enjoy it MORE you doof! She says that she
loves... his hair that way, and musses it. He looks peeved and she
laughs.
---
Another aside, because I really DO love this
show. I love how Carrie acts in her apartment the way a normal person
would. She lopes around the various pieces of furniture, she changes
her shoes in her very large closet. It is all very homey and I like
it. Not to mention, for the amount of money she spends on rent in her
rent-controlled flat, and how little time she spends updating and
repairing, it feels real. Good size, not enormous, and definitely not
filmed in a TV studio. And if it is, good job set designers!
---
Finally, she does say it. In
the weirdest way. He gives her a terrible looking diamond duck purse
and she is completely flabbergasted. She hates the purse. But she says
she loves him. And he looks completely stunned and pretends she didn't
just say that. Cause he's an ass. He says he'll wait for her outside.
And
she talks about it to her friends in the usual four-way in the next
scene. Her friends remind her that it wasn't a large diamond duck ring,
but a terrible purse. And Carrie says that she is going to let the
sentiment stand about as long as it takes for milk to curdle before she
breaks up with him. About a week.
Sam, as usual, has the best insight on the whole thing:
"You
know, its so interesting. You can tell a man you hate him and have the
best sex of your life. But, tell him you love him, and you'll probably
never see him again"
Miranda has recently had a brain transplant
and waxes optimistic about how Big is probably out there trying to find
the best way for him to say that he loves her back. Carrie pets her
and looks at her pityingly. No, he's not doing that. WHY ARE YOU STILL
WITH HIM THEN CARRIE?!
--
This segues nicely into the
next scene with Miranda and Steve. Steve is a bartender and Miranda is a
very successful lawyer, but Steve insists on paying for everything.
This presents a problem for Miranda who is a modern woman, but she does
let him take her out as long as it is a place she knows that he can
afford. Like Pizza. But while they are nomming on the best slices in
the city, Miranda invites him to a company party, which requires him to
wear a suit-- "You do have a suit right?"
"Sure I do. It's really nice. It's gold."
"It's gold?"
"Yeah, you know; it's corduroy." Let's all do an outward cringe together.
Miranda looks at him like a mother. All disappointed. She says nothing. He responds "What's wrong with corduroy?"
"I don't have enough time to tell you what's wrong with corduroy."
Steve
takes Miranda back to his place. It is AWFUL. It's a tiny basement
apartment, complete with disgusting stained walls. And there, in the
closet, is the gold corduroy suit jacket. And there is Miranda feeling
her very first pangs of yuppy guilt. (how fucking insulated is she
that these are her very first pangs? New York is one of the most
expensive cities in the world and she has recently bought her own
apartment there)
Steve jokes that he modeled it after De Niro's
places in Taxi Driver, and that she doesn't have to come back if she
doesn't want to. Miranda obliges.
--
In the next scene,
the girls are getting their toe nails done in a salon. Charlotte tries
to comfort Miranda, saying that a lot of artists work in bars before
they make their big breaks. Miranda reminds her that he's not an
artist/bartender, he's just a bartender.
Samantha asks how he is
in bed, the all-important question. Miranda blushes and says there are
no words. So, Sam says that it sounds like a dream relationship to her.
Charlotte
doesn't know how Miranda can get serious with a man whose whole future
is based on tips, and Carrie points out that men frequently date women
who make a lot more than their partners and it's no big deal; it's about
compatibility. Charlotte quips that it's normal for a man to make more
than a woman. UGH. The women collectively roll their eyes and balk.
Miranda
reminds them that it doesn't matter to HER, she just doesn't want the
imbalance to matter to HIM. She doesn't want it to be a problem, she
wants to enjoy her success, not apologize for it. Then the entire
audience gives a standing ovation.
Charlotte pries in with
thoughts about how separate incomes means more than just a difference in
money, but also backgrounds, education. Steve is working class.
They
chide her for saying "working class" and Charlotte rightfully points
out that they're acting like we live in a classless society, but we
don't-- then quickly darts her eyes to the four Asian ladies that are
presently on their knees polishing the foursome's toe nails in the
scene. The foursome look like they just smelled something bad. I think
it's yuppy guilt.
Samantha talks about the guy she's dating
right now who has an actual servant. The man in question is a real
estate investor who -get this- made a killing turning Chelsea sweatshops
into luxury co-ops. how relevant to the topic du jour!
The Thai woman speaks with a heavy accent, and is very servile. Or so she seems.
Writer
Carrie is in the next scene wondering if the class system has been
replaced by a caste system and if we can date outside our caste. I
think I can parse what this means, but it is giving me a weird
headache. I mean, castes? I guess it plays into Carrie's later
discomfort being an invitee to a horrible fifth avenue party with Big..
But is that because of her "caste" or because she, herself is a snob
against rich people? She feels so incredibly insecure next to Big and
his money (you know, the way Steve is about Miranda), but Carrie
internalizes and feels there is something intrinsic about people that
would cause them to be poor. As if money works that way and it
isn't rigged for rich people to get richer.
I really hate that
mindset in America. That it is a poor person's fault that they are
poor, rather than the situation they were born into... OOOOH. We really
do live in a caste system.
alright. let's Carrie on.
Big
has taken Carrie out to a lovely romantic dinner. Carrie can smell
something is up "the way you can smell a thunderstorm right before it
hits... two days after I said "I love you", Big had found his own way to
say "I love you" to me."
"Listen. There's something I've been
meaning to tell you ever since the night I gave you the purse." --Carrie
leans in, fondly preparing for a lightning strike-- "you can take it
back if you don't like it."
"That became the first night I wanted to tell Big 'I hate you.'"
SERIOUSLY THOUGH.
she stubs her cigarette and blows smoke toward oblivious Big, a look of deep loathing in her blue eyes.
---
In
a scene of pure levity for this shit show of feelings, Charlotte greets
a man at work whose caste all others deferred to and honored without
question: The movie star. He's meandering her art gallery. He has
stopped in front of a large sign that has an artists' name on it, and
immediately underneath is a fire extinguisher.
He asks how much for the fire extinguisher piece.
She stifles laughter, corrects him that that is a real fire extinguisher for the gallery, in case there's a fire.
But Charlotte being always proper, offers him the extinguisher, jokes that people will probably think it's a Jeff Koons.
The movie star asks if Charlotte wants to close up early and go for a ride with him. She is powerless to resist.
From
the limo, while movie star is pissing in the alley, Charlotte calls to
brag to Carrie about being in the back of a limo with movie star, that
all her rules went right out the window. Carrie tells her to listen to
her carefully: "Get out of there immediately!"
---
Sam is
in bed with the man with the servant. It's morning and Man with Servant
tells Sam that she can stay as long as she wants and that Servant will
make her breakfast. Then he leaves as Servant dutifully bows and says
goodbye to Man with Servant. As soon as the doors close, Servant's act
is dropped. She speaks perfect English, and tells Sam to GTFO as she
has a lot of work to do. No breakfast for Sam.
Sam leaves in a state of abject confusion.
---
Faced
with the horror of taking Steve to a law function in a gold corduroy
suit, Miranda takes Steve suit shopping. She has the decency to only
take him places to eat that he can afford, but lacks the social graces
to take him to the men's warehouse. They must be in Barney's or some
other New York hoity toity suit shop. Steve looks down at the price and
says "geez, I better not spill on it"
Miranda offers to pay for
the suit and the shoes since she invited him to the soiree, but Steve
insists that it is completely emasculating. His first credit card was
declined, so Steve then attempts to pay with two cards, a check and the
rest in cash and is outwardly stressed at the prospect of his future
credit card bills. Miranda offers one of her cards, and Steve stresses
at her that he doesn't want to feel like she's his mother.
Miranda
says it's too expensive, that he should forget it. And he irritates to
her "would you just let me buy the fucking suit?"
Let's all do another cringe at the awkward.
---
And
from one awkward situation to another. Carrie is with Big at a party
on fifth avenue. All around her, women are carrying bejeweled purses
and Carrie realizes that Big has no idea who Carrie is if he wants her
to fit in with these rich assholes.
The party hostess refuses to
serve brown food or drink, and doesn't let Carrie smoke inside. Well, I
am with her on the second part. Carrie leaves the party in a huff to
go smoke on the terrace. She'd been cast out of the fancy party.
---
Meanwhile,
Charlotte finds herself the newest member of Movie star's entourage.
He is incredibly gross and disrespectful to her. Firstly, he calls her
Charlene, despite Charlotte reminding him several times of her name.
Secondly, he forces her to smoke pot by blowing it into her shocked
mouth. And Finally, he tells her that he wants her to go to the
bathroom, stick her fingers in her pussy, and bring them back to him so
he can smell them.
I think it's time for another cringe.
She says that she doesn't think so, and leaves. Another minute at the top and she would have become an untouchable.
---
In
Samantha's climax, heh, she tries to tell Man with Servant that Sum
(the servant) had forced her out of bed and rudely rushed her from his
apartment the other morning. Man with Servant tries to explain away the
rudeness, saying that Sum's English isn't that good. Sum returns to
the scene, smiles innocently at Sam, and wickedly asks in her heavily
affected accent whether she wants more food.
And what follows is probably the best pun of the whole episode: Samantha realized that she wasn't so dim, that sum. HA!
---
Outside
at the uptown party, Carrie realizes that relationships have a caste
system of their own. There's the person who says "I love you" and
there's the person who never responds. D:
Carrie
meets an old friend, Jeremiah, who is serving drinks at the party.
Downtown he's a performance artist, uptown he's 'hey kid let me have
another scotch and soda'
'hey kid let me have another scotch and
soda' wants to show Carrie his new tattoo, which is a dragon that goes
all the way down to his knob, he unzips his fly while Carrie leans over
in an unfortunate gesture. The hostess sees Carrie appearing to give
'hey kid let me have another scotch and soda' a blow job and leaves the
scene. Carrie is frustrated and embarrassed when Big asks if she really
gave that caterer a blow job. She responds that " first of all, he's
not a caterer, he's a well-known performance artist," and Big says "Oh!
well that that doesn't answer the question--" "because it was
offensive."
"Well, whatever you're doing, please stop. You're embarrassing me."
"I'm embarrassing you?! Well, maybe if you joined me on the terrace like a gentleman we wouldn't be having this conversation!"
Big says that he wants to leave, and Carrie childishly says that he should leave since she's having such a good time.
---
Miranda
is getting ready for the big firm dinner-- oh no they didn't-- and
Steve rings her doorbell. He's standing there in jeans. He had to
return the suit because he couldn't afford it. (I'm frankly surprised
they took it back at all!)
She is frustrated with him since she
offered to pay for it in the first place, and he says that she needs to
be with someone who's more on her level. He didn't feel good about
himself after leaving the suit store. She says "You want to break up
with me over a suit? fuck the suit!" and he maturely says that it isn't
just about the suit, that there's always going to be things out of his
reach.
She starts tearing up, honestly remarks that she's being
punished for being successful. And responds that he doesn't mean it that
way.
She says thanks for standing her up and it's been nice
knowing him and slams the door in his face. Later at the firm party,
she is surrounded by Italian Wool and she wonders what the hell was so
wrong with corduroy anyway.
There is an awful lot wrong with corduroy. Also there is wool between corduroy and a 2000 dollar suit.
--
Back with Carrie:
Carrie
had found "hey kid let me have another scotch and soda" and since he
was fired from the waiting job, they go out and have a good time--
drinking a couple pitchers of margaritas and walking back to Carrie's
apartment singing LOUDLY the entire way and making out. That's the last
thing she remembers that night.
--
The next morning, At Man
with Servant's house, he is leaving Sam in bed to take a shower. Sam
relaxes again as Sum comes in and finds a condom on the night stand (I
love how this show is all about safe sex), she calls Sam a cock sucking
whore and says that she has to wash the sheets right away. Slut shame
alert. D:
Sam wrestles with her a moment, tells her she's being
crazy and Sum is knocked to the floor in the tussle. This is when Man
with Servant comes in, Sum tells him that "that lady hit her," and he
goes to comfort Sum. He tells Sam to get out of here and won't listen to
any explanation. Sum gives Sam the most wicked smile underneath Man
with Servants comforting gesture.
lol!
Poor Sam!
---
Meanwhile,
Carrie wakes up to the phone ringing and "hey kid let me have another
scotch and soda" is in her bed. It's Big on the other line. He's angry
at her still, but acknowledges that he knows why she is mad. He
continues and says that he has to do things in his *own time.*
She
shushes 'hey kid let me have another scotch and soda' while Big tells
her "Well, I fucking love you. It's just a tough thing for me to say,
because I always seem to get in trouble when I say it" (pretty sure he
gets in trouble when he *doesn't* say it, but what do I know?)
She
says that she loves him too, then they hang up. She looks guiltily
over at 'hey kid let me have another scotch and soda' and asks if
anything happened. He says "definitely Not." Carrie feels like the
lowest of the low, but rationalizes that she doesn't have to tell Big
about this discretion because everything before "I love you" just
doesn't count.
Thanks for joining me on another episode! In the
next episode we will pore through still more of the emotional labor that
Carrie has to go through in order to be a part of her relationship with
Big.
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